worship the dolls — ongoing

digital performance series generated through AI training with collected selfies, gym photos, thirst traps, NSFW content, casting tapes, model digitals from years of HRT period 2022 — present.

OLYMPIAN (2025)

land performance on Black’s Beach after 6 months natural body building. Re-mything Hermaphroditus and the third gender sculpture from Greek and Roman antiquities as protest for the executive ban of transgender women from participating in the U.S. Olympics. 182 pg/ml estrogen, 20 ng/dL testosterone

Banned in sports, military, museums, and some version of heaven. Divine enough to be born of Olympus, yet too disruptive to ascend there. But you visit our temple in your nightlife, underground raves and every dot com you can’t stop thinking about. Aphrodite works in tech. Our water nymphs are watching. Every time your skin sweats, and every love scene you make to us. Bed by bead.

X-POLLINATION — ongoing

eco-performance study on genital in-betweenness with with Koki’o ‘ula (Hawaiian red hibiscus) and nalo meli (honey bee) on Honaunau, Island of Hawai’i.

I use the the anatomy of hibiscus flower to demonstrate genital in-betweenness in third gender populations (māhū), with stamen and petals as refectory to the spiritual inheritance of carrying psychic energies of both phallus and yoni. As transphobic perspectives echo the biological non-utility of third gender fertility, the project re-myths the purpose of sexual energy (mana, shakti, jing) as it moves beyond human reproduction. The performance occurs after being gifted a bee sting in between the left big toe and second toe (Tai Chong, Liver 3 point in Traditional Chinese Medicine). The bee venom is integrated for seven days in co-regulation with land-site to flush digestive constipation, and trapped anger in the body

eco-performance study on genital in-betweenness after synthesizing 1.8 m/l of estradiol valerate injection with hibiscus infusion ingestion. petrified pine, yoni-phallus. (un)tucking in  Mount Shasta, California 

Tree deity, but interspecies. Creature for the camera. Sasquatch alert, capture now. Wait censor its sex first. Sex like checking its genitalia. Sex like how does it reproduce. Sex like XXX videos are free, but erase and blur its tits because they are more mounds than pecs. How about sex like body as fertile land, untouched by man. Sex like procreating a third gender future. Sex like fecundity, replace the D with a T. Fecunt. 

BODY IS LAND (2025)

performance protest. zip tied under the 5 / 805 / 15 freeway on unceded Kumeyaay — documentation by @dor.ottya

More cement than dirt here. Cars sound like lady bugs if my eyes are 1% open. Throat is a highway, no tolls. Hit the end repeatedly and it’s an (American) fever dream. Call it spirit bondage. Tuck my organs back in. No, the ones belonging to someone’s version of Adam and Eve. Scrub to cut, erase.

eco-performance at Kalea, Island of Hawai’i. documentation by the @wanaseahawaii with hala leaf

body is a trinity. braid with threes, tied with hala. greens browned, ocean foam, my hula weathering. say this — yes, wow, i don’t know. body is truth forgotten. squat my mana holes down, oh the devotion. māhū is another word for balanced future. stand where the winds of east and west meet. body is aina, blood remembers the smell of monsoon soil. refuge on lava rock. longing for land to return, back.

After the illegal overthrow of the Hawaiian Kingdom in 1893, vast lands were taken and later held by the state and federal governments of the USA. Activists call for the return of these lands to Kānaka Maoli through ongoing resistance to settler occupation and exploitation from mainland counterparts. The Vietnamese community began settling in Hawaiʻi after the Fall of Saigon in 1975. Vietnamese refugees and immigrants continue to weave their Vietnamese cultural traditions with other displaced Pacific and Asian communities, creating solidarities rooted in survival and longing for homeland.  While Confucianism and French rule repressed gender variance in Vietnam, U.S. missionary influence similarly erased Māhū traditions. I question, how do we reclaim ancestral gender through ritual performance while offering devotion for land regeneration? 

Energy Healing — ongoing

eco-performance study in Mount Shasta, California after a one year relationship with creek location, volcanic basalt, and serpentine bedrock.

fawning (2025)

ritual performance in re-patterning the fourth nervous system response between fight, flight, freeze using the bio-mimicry of the deer totem. documentation by @dor.ottya on Kumeyaay land.

the deer response is my favorite black hole. I’ll give you affection for protection. don’t hurt me, my toy legs can open. I survive through desire. an arched back works, no suspection. twist till I spiral, be what you need. loading the dishwater with tummy tucked. ass out, good housewife. porn eyes watch me sleeping on grass. to prey, looks like fuck her right there. harmony means wake up to another world where what is free does not harm me, i’m praying.

NUDE RUNWAY (2025)

LA Art Week at Hannah Hoffman Gallery — fashion performance in collaboration with @puppiespuppiesjade + @kikokostadinov

Is this visible enough. let me walk for you. let me serve you. let me make you feel sooo good. I bet you love incognito window. bookmark me. download me. chase me. but don’t fight for me. my body is land, made to take. made for online. love me as the one percent you will never see in real life. and let your one percent know, we are coming.

GIRL VOICE (2025)

performance laboratory in Brooklyn, New York with microphone, cable, and rabbit fur hide — documentation by @nikokokiniko

I wonder about the microphone performing as a princess wand. she-cock. antennae to the other(side). but also the cum-cage, enforcing a tongue to stick out so to not speak. supremacy says, good girl. I show teeth. This work loops live sound currents channeled from land, back into matrix. to re-enchant with vibrations of fae forests, sirens of the deep, mourning of tr(ancestors), and shamans before — thank you.