X-POLLINATION, 2026

performance + video installation, INTERSPECIES, Telematic at Minnesota Street Project for SF Art Week.

(1) eco-performance study on genital in-betweenness with with Koki’o ‘ula (Hawaiian red hibiscus) and nalo meli (honey bee) venom on Honaunau, Island of Hawai’i.

(2) eco-performance study on genital tucking after a ritual-synthesizing 1.8 m/l of estradiol valerate injection with hibiscus infusion ingestion. petrified pine. (un)tucking in Mount Shasta, CA.

“In her performance video, X-POLLINATION, hamsa fae presents the animated .gifs of two ritual, eco-performances of genital tucking, exploring embodiment, trans identity, intermediacy, and metamorphosis. The piece juxtaposes the sites of Hawaii’s Big Island and Mt. Shasta, California, meditating on gender expression in light of the relationship between the body and the land.  Limning the boundaries between the subject and its surroundings, the artist playfully employs natural objects as artificial prostheses while simultaneously presenting nature itself as in need of creative supplementation. The installation complicates science and spirituality, the inorganic and the organic, artifice and authenticity, questioning our attachment to purported biological certainty, while cultivating new and forgotten forms of agency, rooted in the power and mystery of transwomanhood.” — Curator, Clark Buckner

Energy Healing — ongoing

(1) eco-performance study in Mount Shasta, California after a one year co-regulatory relationship with creek location and serpentine bedrock.

(2) eco-performance study on Kumeyaay land, California

Angel Numbers — ongoing

performance protest, urinating in men’s public urinals in response to the United States “bathroom ban” for transgender folks.

States that currently restrict transgender people from using public bathrooms consistent with their gender identity, primarily in government-owned buildings and schools: Alabama, Arkansas, Florida, Idaho, Iowa, Kentucky, Louisiana, Mississippi, Montana, North Dakota, Ohio, Oklahoma, South Carolina, South Dakota, Tennessee, Texas, Utah, Virginia, West Virginia, and Wyoming.

OLYMPIAN, 2025

land performance work positioned at Black's Beach after a decade long relationship to the site. Unarmored and grounded, the body celebrates the feminine and Venusian form, emphasizing self-authorship beyond biological certainty as protest for the executive ban of transgender women from participating in the U.S. Olympics. Shaped through six months of natural body-building, the work references Greek and Roman antiquity sculptures to re-myth gendered expectations of the body. A flexed bicep is a moment of self-directed visibility. It interrupts expectations that women’s bodies exist to be soft, passive, or decorative. Historically, every era that allowed women to flex did so under conditions, and every era that restricted it revealed anxieties about power and autonomy. This work aims to reassert the divinity and diversity of women, one beyond spectacle and fetish. 

Hormone panel after three years of HRT: 182 pg/ml estrogen, 20 ng/dL testosterone. documentation by @dor.ottya

BODY IS LAND, 2025

(1) performance protest, zip tied under the 5 / 805 / 15 freeway on Kumeyaay land. documentation by @dor.ottya

(2) eco-performance at Kalea, Island of Hawai’i. documentation by @wanaseahawaii

fawning, 2025

ritual performance in re-patterning the fourth nervous system response between fight, flight, freeze using the bio-mimicry of the deer totem. documentation by @dor.ottya on Kumeyaay land.

Nude Runway, 2025

fashion performance in collaboration with @puppiespuppiesjade + @kikokostadinov at LA Art Week, Hannah Hoffman Gallery

GIRL VOICE, 2025

performance laboratory in Brooklyn, New York with microphone, cable, and rabbit fur hide. documentation by @nikokokiniko